FICHE UE - Ksup Bibliographies : AN00802V Parcours (1) : attention, le contenu du cours et sa bibliographie sont différents selon que vous êtes inscrit-e en contrôle continu ou en examen terminal Cours en contrôle continu uniquement: « Producing American Literature », Michael Winship (University of Texas at Austin) Oeuvres au programme: Joel Barlow, “The Hasty-Pudding” (1796) Nathaniel Hawthorne, “The Minister’s Black Veil” (1836) Frederick Douglass, The Narrative of Frederick Douglass (1845) Mark Twain, The Adventures of Huckleberry Finn (1885) Charlotte Perkins Gilman, The Yellow Wall-Paper (1899) Secondary readings will also be assigned as the basis for student oral class presentations. Note: All readings in the course will be made available to students in digital form. Examen terminal uniquement, Enseignement accessible au SED uniquement: « Fiction et affaires criminelles: regards croisés stylistique/linguistique », Aurélie Guillain (stylistique) et Henri Le Prieult (linguistique) Oeuvres au programme: 1. Braddon, Mary-Elizabeth. [1861-62] Lady Audley's Secret. [1861-1862] Oxford: Oxford University Press, 1998. 2. Hammett, Dashiell. Red Harvest. [1929] London: Orion Books, 1956. 3. Carter, Angela. "Lizzie's Tiger" and "The Fall River Axe Murders" in Carter, A. Saints and Strangers [1986] New York, Viking, 1986. NB: Un glossaire de stylistique sera disponible sur Iris Bibliographie stylistique : SALBAYRE, Sébastien & Nathalie Vincent-Arnaud. L'analyse stylistique. Textes Littéraires de langue anglaise. Presses Universitaires du Mirail, 2006. SUHAMY, Henry. Stylistique anglaise. Paris: PUF, 1994. Bibliographie linguistique: BOUSCAREN J., et al. Introduction of a Linguistic Grammar of English. An Utterercentered Approach. Paris : Ophrys, 1992. BURTON Roberts, N. Analysing Sentences. Longman, 2011. HUDDELSTON R. and G. K. Pullum. The Cambridge Grammar of the English Language. C.P.U., 2002. HUDDELSTON R. and G. K. Pullum. A Student's Introduction to English Grammar. Cambridge University Press, 2010. LAPAIRE, J. R. et Rotgé, W. Linguistique et grammaire de l’anglais. Toulouse : Presses Universitaires du Mirail, 1991. LAPAIRE J.-R.et W. Rotgé. Réussir le commentaire grammatical de textes. Ellipses, 1992. 1 LARREYA, Paul et Claude Rivière. Grammaire explicative de l'anglais. 3ème éd. Paris : Peason, 2005. QUIRK, Randolph, Sidney Greenbaum, Geoffrey Leech & Jan Svartvik. A Comprehensive Grammar of the English Language. London: Longman, 1985. Programme (2) Programme (2) Bibliographie Partie A Buell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. Cambridge, MA: Harvard University Press, 1996. Harding, Wendy. The Myth of Emptiness and the New American Literature of Place. Iowa City: University of Iowa Press, 2014. Murphy, Patrick. Ecocritical explorations in literary and cultural studies : fences, boundaries, and fields. Lanham : Lexington Books, 2009. Programme (2)Bibliographie Partie B Faqir, Fadia. Pillars of Salt. London : Quartet Books, 1996. Gibeily, Carl. Blueprint for a Prophet. London : Doubleday, 1997. Mahjoub, Jamal. In the Hour of Signs. London : Heinemann, 1996. ---, Nubian Indigo. (2005) KINDLE Soueif, Ahdaf. The Map of Love. London : Bloomsbury, 1999. Zahran, Yasmin. A Beggar at Damascus Gate. Sausalito: The Post–Apollo Press, 1995 3) Formes et figures de l’écriture satirique, XVI e-XXe siècles Programme (3), Bibliographie Partie A: « La satire comme force de critique politique dans la comédie érotique », Nathalie Rivère de Carles. Shakespeare, William. The Norton Shakespeare 3rd Edition, Stephen Greenblatt, Jean Howard, Katharine Eismann Maus, Susan Gossett, Gordong McMullan (eds), NY: WW. Norton, 2015. (https://digital.wwnorton.com/shakespeare3) Shakespeare, William, Complete Plays in Ben and David Crystal’s Shakespeare’s Words, http://www.shakespeareswords.com/ (online edition with vocabulary) Quintero, Ruben, A Companion to Satire: Ancient and Modern, Oxford: Blackwells Wiley, 2006 The Cambridge companion to Shakespearean comedy, (ed) Alexander Leggatt, Cambridge University Press, 2002 (CRL) The Cambridge companion to Shakespeare, (eds) Margreta de Grazia and Stanley Wells, Cambridge University Press, 2001 (BUC): particularly chapters 1, 2, 3, 4, 8 & 14 Bednarz, James P, Shakespeare and the Poets’ War, NY: Columbia University Press, 2013. Bevington, David, ‘Shakespeare v. Jonson on Satire’, Proceedings of the World Shakespeare Congress, Clifford Leech (ed.), 1972. Boose, Lynda E. “The 1599 Bishops’ Ban, Elizabethan Pornography, and the Sexualization of the Jacobean Stage.” In Enclosure Acts: Sexuality, Property and Culture in Early Modern 2 England. Edited by Richard Burt and John Michael Archer, 185-200. Ithaca, New York: Cornell University Press, 1994. Campbell, Oscar James, Shakespeare’s Satire, London: Gordian, 1943 Foakes, R.A., The Dark Comedies to the Lost Plays from Satire to Celebration, Routledge, 1971. Highet, Gilbert, Anatomy of Satire, Princeton University Press, 2015. Kinney, Arthur. Humanist Poetics: Thought, Rhetoric, and Fiction in Sixteenth-Century England. Amherst: University of Massachusetts Press, 1986. Pierce, Helen, Unseemly Pictures: Graphic Satire and Politics in Early Modern England, Yale University Press, 2008. Roston, Murray, Tradition and Subversion in Renaissance Literature: Studies in Shakespeare, Spenser, Jonson, and Donne, Duquesne University Press, 2007 Watson, Jackie, ‘Satirical Expectations: Shakespeare’s Inns of Court Audiences’, Revue de la Société Française Shakespeare (2015) https://shakespeare.revues.org/3352 Yearling, Rebecca, ‘Dramatic Satire and the Crisis of Authority,’ Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience, Springer 2016, p. 42-66. Programme (3), Bibliographie Partie B: « Le renouvellement de la satire dans le roman britannique contemporain : What a Carve up! de Jonathan Coe », Laurent Mellet. Bentley, Nick, Contemporary British Fiction, Edinburgh: Edinburgh University Press, 2008. Bradford, Richard, The Novel Now – Contemporary British Fiction, Malden : Blackwell, 2007. Chauvin, Serge, « Le mystère du vase fêlé. Jonathan Coe, Martin Amis : retours sur un lieu clos », in La Licorne 44, « Formes policières du roman contemporain », 1998, 143-148. Coe, Jonathan, What a Carve up! (1994), London : Penguin, 2014. —, The Rotters’ Club (2001), London : Penguin, 2008. —, The Closed Circle (2004), London : Penguin, 2008. —, Marginal Notes, Doubtful Statements, Penguin, publication électronique, 2013. —, Number 11 or Tales that Witness Madness, London : Penguin, 2015. Dix, Hywel, Postmodern Fiction and the Break-Up of Britain, Londres et New York : Continuum, 2010. Eagleton, Terry, « Theydunnit », in London Review of Books, Vol. 16, N° 8, 28 Avril 1994, 12. Gasiorek, Andrzej, Post-War British Fiction – Realism and After, Londres : Edward Arnold, 1995. Gonzalez, Madalena, et Marie-Odile Pittin-Hédon, éds., Generic Instability and Identity in the Contemporary Novel, Newcastle : Cambridge Scholars Publishing, 2010. Greaney, Michael, Contemporary Fiction and the Uses of Theory – The Novel from Structuralism to Postmodernism, Basingstoke : Palgrave Macmillan, 2006. 3 Guignery, Vanessa, « Transfiguration des genres littéraires dans la littérature britannique contemporaine », in Monique Chassagnol, et Guy Laprevotte, éds., Les Littératures de genre, Nanterre : Université Paris X – Nanterre, 2002, 35-66. —, « ‘Colonel Mustard, in the billiard room, with the revolver’: Jonathan Coe’s What a Carve up! as a postmodern whodunit », in Études anglaises 64:4, « L’Héritage du policier : continuités et ruptures dans la fiction contemporaine anglophone », octobre-décembre 2011, 427-438. Guilhamet, Leon. Satire and the Transformation of Genre. Philadelphia: University of Pennsylvania Press, 1987. Higgins, Michael, Clarissa Smith, et John Storey, éds., The Cambridge Companion to Modern British Culture, Cambridge : Cambridge University Press, 2010. Hutcheon, Linda, Narcissistic Narrative – The Metafictional Paradox (1980), New York et Londres : Methuen, 1984. —, « Ironie, satire, parodie – Une approche pragmatique de l’ironie », in Poétique, n° 46, 1981, 140-155. —, A Poetics of Postmodernism – History, Theory, Fiction, New York et Londres : Routledge, 1988. —, The Politics of Postmodernism, New York et Londres : Routledge, 1989. Mellet, Laurent, Jonathan Coe. Les politiques de l’intime, Paris : PUPS, 2015. Mullan, John, « What a Carve up! by Jonathan Coe – Week two: coincidences », in The Guardian, 9 avril 2011 (http://www.guardian.co.uk/books/2011/apr/09/jonathan-coe-carvebook-club). — « Jonathan Coe meets the Guardian book club – podcast », in The Guardian, 13 avril 2011 (http://www.guardian.co.uk/books/audio/2011/apr/13/jonathan-coe-book-club-podcast). Patterson, Annabel M.. Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England (Madison, Wisconsin: University of Wisconsin Press, 1984 Tew, Philip, et Rod Mengham, éds., British Fiction Today, Londres et New York : Continuum, 2006. Tew, Philip, The Contemporary British Novel, Londres et New York : Continuum, 2007. Trimm, Ryan, « Carving up value: The tragicomic Thatcher years in Jonathan Coe », in Louisa Hadley, et Elizabeth Ho, éds., Thatcher and after – Margaret Thatcher and her Afterlife in Contemporary Culture, Basingstoke et New York : Palgrave Macmillan, 2010, 158-179. Waugh, Patricia, Metafiction – The Theory and Practice of Self-Conscious Fiction, Londres et New York : Methuen, 1984. Programme (4) La réconciliation dans le monde post-colonial : les cas de la Jamaïque et de l'Afrique du Sud (E. Doumerc – M. Rogez) Programme (4), Bibliographie Partie A: « La réconciliation et la Jamaïque », Eric Doumerc. Augier, F.R, S.C.Gordon, D.G.Hall and M.Reckford. The Making of the West Indies. Longmann Caribbean, 1993. 4 Bilby, Kenneth and Peter Manuel. Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press, 1995. Campbell, Horace. Rasta and Resistance: from Marcus Garvey to Walter Rodney. London: Hansib, 1985. Constant; Denis. Aux sources du reggae. Roquevaire : Editions Parenthèses, 1982. Cooper, Carolyn. Noises in the Blood: Orality, Gender and the “Vulgar” Body of Jamaican Popular Culture. London: Macmillan Caribbean, 1993. Davis, Stephen and Peter Simon. Reggae Bloodlines : In Search of the Music and Culture of Jamaica. 1977. New York : Da Capo Press, 1992. ---. Reggae International. Londres : Thames and Hudson, 1983. Hart, Richard. From Occupation to Independence- A Short History of the Peoples of the English-speaking Caribbean Region. London: Pluto Press, 1998. Henke, Holman. Between Self-Determination and Dependency. Jamaica’s foreign relations, 1972-1981. Kingston: UWI Press, 2000. Knight, Franklin. The Caribbean: the Genesis of a Fragmented Nationalism.Oxford: Oxford University Press, 1990. Lewis, Gordon K. The Growth of the Modern West Indies. London: Mc Gibbon and Kee, 1968. ----------------------. Main Currents in Caribbean Thought: The Historical Evolution of Caribbean Society in its Ideological Aspects 1492.1900. London: John Hopkins University Press, 1983. Lowenthal, David. West Indian Societies. Oxford University Press, 1972. Mintz, Sydney and Sally Price. Caribbean Contours. Baltimore: John Hopkins University Press, 1985. Parry, J.H, P.M. Sherlock and A. Maingot. A Short History of the West Indies. Macmillan, 1991. Williams, Eric. From Columbus to Castro: the History of the Caribbean, 1492-1969. London André Deutsch, 1969. Programme (4), Bibliographie Partie B:« Représenter l’irreprésentable : réconciliation dans la littérature sud-africaine », Mathilde Rogez. la Un certains nombres de textes seront distribués et/ou mis en ligne sur l’ENT. Consultez l’ENT avant le cours. Sources primaires : (*ouvrages à lire de manière obligatoire) *Coetzee, J.M., Disgrace, London: Vintage, 2000 (1999). Dangor, Achmat, Bitter Fruit, Cape Town: Kwela Books, 2001. Farber, Yael, Theatre as witness, London: Oberon Books, 2008. Higginson, Craig, Dream of the Dog, London: Oberon Books, 2010. Homann, Greg, At This Stage: Plays from Post-Apartheid South Africa, Johannesburg: Wits University Press, 2009. 5 *Krog, Antjie, Country of my Skull, Parktown: Random House, 1998 (chapitre 3 en particulier). Magona, Sindiwe, Mother to Mother, Claremont: David Philip Publisher, 1999. Mda, Zakes, “The Bells of Amersfoort”, in Fools, Bells and the Habit of Eating, Three Satires, Johannesburg, Witwatersrand University Press, 2002. *Taylor, Jane, Ubu and the Truth Commission, Cape Town: University of Cape Town Press, 1998. Van Graan, Mike, Green Man Flashing, Junkets Publishing, 2010. Sources secondaires : -- Truth and Reconciliation Commission of South Africa report, Cape Town: Truth and Reconciliation Commission, 1998, http://www.justice.gov.za/trc/report/ Cole, Catherine M., Performing South Africa's Truth Commission: stages of transition, Bloomington: Indiana University Press, 2010. Davis, Geoffrey V. and Anne Fuchs, Theatre and change in South Africa, Amsterdam: Harwood academic publ., 1996. Doxtader, Erik, With faith in the works of words: the beginnings of reconciliation in South Africa, 1985-1995, Claremont, South Africa: David Philip, 2009. Fauvelle-Aymar, Francois-Xavier, Histoire de l'Afrique du Sud, Paris: Seuil, 2009. Graver, David, Drama for a new South Africa, Bloomington: Indiana University Press, 1999. Hutchison, Yvette, South African performance and the archives of memory, Manchester and New York: Manchester University Press, 2013. Krueger, Anton, Experiments in freedom: explorations of identity in new South African drama, Newcastle upon Tyne, UK : Cambridge Scholars Pub., 2010. Kruger, Loren, The drama of South Africa: plays, pageants, and publics since 1910, London; New York: Routledge, 1999. Moon, Claire, Narrating political reconciliation: South Africa’s Truth and Reconciliation Commission, Lanham : Lexington Books, 2008. Ross, Robert, Anne Kelk Mager and Bill Nasson, The Cambridge History of South Africa, Vol. 2. 1885-1994, Cambridge: Cambridge UP, 2011. Sanders, Mark, Ambiguities of witnessing: law and literature in the time of a truth commission, Stanford, Calif.: Stanford University Press, 2007. South Africa History online: http://www.sahistory.org.za/ Villa-Vicencio, Charles and Doxtader, Erik, To repair the irreparable: reparation and reconstruction in South Africa, Claremont: David Philip Publishers, 2004. 6