
Abstract
The business-to-business and business-to-consumer markets, abbreviated b2b and b2c,
respectively, have distinct characteristics with respect to market communication. The b2b
market is commonly considered a rational, economical and convincing approach, while the
b2c market exploits the emotional, passionate and personal level of the consumer.
However, this clear distinction between the market communications has been challenged
in this thesis with the hypothesis that the b2b market accommodates means of persuasion
from the b2c market on the advertising front.
To support this hypothesis an analytical model has been established based
on: (1) the work by Frandsen, Johansen and Ellerup Nielsen, who claim that the
advertising field can be characterized by lingual attributes such as the text’s structure
which have compulsory and facultative elements; (2) the utilization of appeal forms e.g.
logos, ethos and pathos as described by Herman and Lugrin, and (3) how pathos is
expressed in rhetoric strategies, for instance by visual features, verbal details and
wording-depiction relations, illustrated by three b2c advertisements. The model
consequently enables an identification of appeal features, their features and the rhetoric
strategy exploited in advertisements.
Initially a report is given on the characteristics of the b2b market addressing
the changes during very recent years with documentation on how focused branding,
decreased bulk and increased emotional over rational/economical marketing revamp.
Intelligence from two Danish companies, Lindberg International and Blue Business A/S
reveal that their b2b marketing advances by employed b2c surveillance. They concur that
b2b clients progressively reach rational, economical; nevertheless, also emotional
decisions when clinching a business deal. Conclusively, their b2b market communication
is seeking to adapt to a number of b2c traits for a gain in efficiency.
With the demonstrated market tendencies the analytical model has been
applied on seven b2b advertisements from the French economical, periodical Capital.
Capital was chosen for its known multitude of national and international economic themes
and for the personal interest in general of the French market and culture. The model
analysis of Capitals advertisements agree with the strategies exhibited by Lindberg
International and Blue Business A/S. A clear tendency of exploiting pathos in the attention
generating elements of the advertisements is corroborated, mainly by the visual stimuli