L`écriture théâtrale ou dramatique Samuel Beckett, lettre à Michel

!"#$%&"'($)*&"(+&,(-+&"""""""""""#.+/*(01)&0*)$2"',"3$2*,&",*"1+4,2',&"'%"5%+6,3"7"89:;<""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""*31=>30"
"
"
!"#$%&'(%)*'+#,'%-.)*/(*0%-1-'&2()*
«"L’opacité"du"texte"dramatique"naît"du"fait"qu’il"manque"au"dramaturge""
le"discours"commentatif"du"romancier"?"@A%6,(*B"CDDE"F"GH>""
"
9,"*,I*,"*.+/*(01",&*"&$%-,2*"J(+&,2*+"K"1L+3$1,"3$MM,"%2"4,2(,"1)**+(0)(,B"%2"4,2(,"1)**+(0)(,"
J0(*)3%1),("'02&"10"M,&%(,"$N")1",&*"',&*)2+"K"O*(,"P$%+"&%("&3Q2,B"3,"=%)",IJ1)=%,"1L+3()*%(,",*"
10" J(+&,2*0*)$2" R$(M,11," ')&*)23*)-,&" '%" *,I*," *.+/*(01" J0(" (0JJ$(*" 0%I" *,I*,&" (0**03.+&" K"
'L0%*(,&" 4,2(,&>" S>" T6,(&R,1'" ')&3%*," *$%*,R$)&" 3," 310&&,M,2*B" +*)=%,*02*" 0-02*" *$%*" 1,"
*.+/*(,"3$MM,"U"J(0*)=%,"&3+2)=%,"?"@VWWX6"F"WH>""
9," 102404," '(0M0*)=%," @'%" 4(,3B" δρμα,"03*)$2"7&3+2)=%,YH" U"programme" un" système"
sémiotique" pluricodique" (verbal," visuel" et" sonore)" propre" à" la" représentation" scénique"?"
@T(')3)02B" CDDE;DG"F" VH>" ZL0)11,%(&B" le" système" représentatif" est" antérieur" au" texte"?"
@T6,(&R,1'B" J($J$&" *(02&3()*&" J0(" [)4,02*B" VWG\" F" ]V" ,*" \WHB" U"le" jeu" qui" se" réalise" dans" la"
représentation"est"inscrit"au"cœur"même"de"l’écriture"et"la"préforme"?"@A%6,(*B"CDDE"F"GH>""
^),2",2*,2'%B"3,**,"J($4(0MM0*)$2"',"10"(,J(+&,2*0*)$2"'02&"1L+3()*%(,",&*"J1%&"$%"M$)2&"
3$2&3),2*,"_" ,11," +3.0JJ," ,2" J0(*)," 0%" '(0M0*%(4,B" 3$MM," 1L)11%&*(,2*" 1,&" J($J$&" =%,1=%,"
J,%" J($-$30*,%(&" *,2%&" J0(" <0M%,1" ^,3`,**B" &%)*," K" 1L+3()*%(," 'LEn" attendant" GodotB" $%"
3$MM,",2"*+M$)42,"Six"personnages"en"quête"d’auteurB"',"9%)4)"a)(02',11$B"'02&"1,=%,1"1,&"
J,(&$2204,&" (,-,2')=%,2*" 1," '($)*" 'L,I)&*,(" J0(" ,%IYMOM,&" ,*" '," R0)(," -01$)(" 1,%(&" -%,&"
3$23,(202*"1,"*,I*,",*"10"M)&,",2"&3Q2,>""
"
3-1().*4)$5)''6*.)''%)*7*8&$+).*9/.-$6*:-;<&)%*=>?@6*)A'%-&'B**
"
"
U"[$%&"M,"',M02',b"M,&")'+,&"&%("En"attendant"GodotB"'$2*"-$%&"M,"R0)*,&"1L.$22,%("
'," '$22,(" ',&" ,I*(0)*&" 0%" c1%6" 'L,&&0)B" ,*" ,2" MOM," *,MJ&" M,&" )'+,&" &%(" 1," *.+/*(,>""
d,"2L0)"J0&"'L)'+,&"&%("1,"*.+/*(,>"d,"2Le"3$220)&"(),2>"d,"2Le"-0)&"J0&>"cL,&*"0'M)&&)61,>""
c,"=%)"1L,&*"&02&"'$%*,"M$)2&B"3L,&*"'L06$('B"'02&"3,&"3$2')*)$2&B"'L+3()(,"%2,"J)Q3,B",*"
,2&%)*,B" 1L0e02*" R0)*B" '," 2," J0&" 0-$)(" 'L)'+,&" &%(" ,11," 2$2" J1%&>""
cL,&*"M01.,%(,%&,M,2*"M$2"30&"?>"""
"
"
!&%)* .)* ')A')* &;'#C%-.*D".**JF;;-)*()2,>,',21)-(,&>R(;J%61)30*)$2&;\GEWfY,2Y0**,2'02*Y
4$'$*g&*.0&.>h(D:iG3j>'J%R>""
"
"
!"#$%&"'($)*&"(+&,(-+&"""""""""""#.+/*(01)&0*)$2"',"3$2*,&",*"1+4,2',&"'%"5%+6,3"7"89:;<""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""*31=>30"
"
!(&C&*9&%-;0)../6*Six$Personnages$en$quête$d’auteur6*=>@=6*)A'%-&'6*EB*=FB**
$
Du$plateau,$le$Directeur$et$les$Acteurs$se$tournent,$étonnés,$pour$regarder$dans$
la$salle.*
$*
*
*
!G*HIJGKLGMJB"de"nouveau"furieux."7"k0)&"P,"&%)&",2"J1,)2,"(+J+*)*)$2"l":*"
-$%&"&0-,b"6),2"=%,"J,2'02*"1,&"(+J+*)*)$2&"J,(&$22,"2,"'$)*",2*(,("l"(Vers"le"fond"de"
la"salle":)"5%)"O*,&Y-$%&"m"5%L,&*Y3,"=%,"-$%&"-$%1,b"m"
""
!G*9NJGB"s’avançant,"suivi"des"autres"jusqu’à"l’un"des"petits"escaliers."7"n$%&"&$MM,&"K"
10"(,3.,(3.,"'L%2"0%*,%(>"
""
!G*HIJGKLGMJB"miOabasourdi,"miOfurieux."7"ZL%2"0%*,%("m"5%,1"0%*,%("m"
""
!G*9NJG>"7"nL)MJ$(*,"1,=%,1B"M$2&),%(>"
""
!G*HIJGKLGMJ>"7"k0)&")1"2Le"0"J0&"1,"M$)2'(,"0%*,%(")3)B"30("2$%&"2L0-$2&"J0&"
10"M$)2'(,"J)Q3,"2$%-,11,",2"(+J+*)*)$2>"
""
!O*4G!!GPQI!!GB"avec"une"vivacité"gaie,"gravissant"rapidement"le"petit"escalier."7"S1$(&B"
*02*"M),%IB"M$2&),%(B"*02*"M),%I"l"n$%&"011$2&"J$%-$)("O*(,"-$*(,"J)Q3,"2$%-,11,>""
"
"
"
!&%)*.)*')A')*&;'#C%-.*F".**JF;;ooo>,6$$`&4(0*%)*&>3$M;',*0)1&>J.Jm6$$`pVGf]"
"
"
"
"
"
"
"
"
"
"
"
"
!"#$%&"'($)*&"(+&,(-+&"""""""""""#.+/*(01)&0*)$2"',"3$2*,&",*"1+4,2',&"'%"5%+6,3"7"89:;<""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""*31=>30"
"
k0(),Yc10%',"A%6,(*"@CDDEH"&L,&*"0**03.+,"K"0201e&,("1,&"&J+3)R)3)*+&"'%"*,I*,",*"'%"102404,"
'(0M0*)=%,&>" 9,&" J()23)J01,&" 30(03*+()&*)=%,&" )',2*)R)+,&" &$2*" J(+&,2*+,&" '02&" %2" *061,0%"
&e2*.+*)=%,>"""
"
K-%-$'#%&R'&2()R*0(*')A')*)'*0(*.-;C-C)*0%-1-'&2()R**
ZL0J(Q&"k>Yc>"A%6,(*"@CDDEHB"Le"théâtreB"S(M02'"c$1)2B"J>"EY\C>""
KSTKG9L3*
HUQITILIST3**
H&R$/;'&;(&'#*
);'%)* ."#$%&'(%)6* .-*
1&R)* );* R$V;)* )'*
.-*%)E%#R);'-'&/;**
9,"'(0M0*%(4,",&*"&+J0(+"',"&$2"q%-(,"=%02'"3,11,Y3)"J0&&,",2*(,"1,&"M0)2&"'%"M,**,%("
,2"&3Q2,B"',&"03*,%(&B"',&"&J,3*0*,%(&>"<)"10"20)&&023,"'L%2"*,I*,"*.+/*(01",&*"&$%-,2*"
1Lq%-(,"'L%2"&,%1B"10"(,20)&&023,"'%"*,I*,"&%("&3Q2,",&*"1,"R(%)*"'L%2"*(0-0)1"3$11,3*)RB"=%)"
)231%*"*$%*"0%*02*"1L+=%)J,"0(*)&*)=%,"=%,"1,"J%61)3B"3$J($'%3*,%("'%"&J,3*031,"0%=%,1")1"
0&&)&*,>"""
"
I1E-%'&-.&'#*
W%).-'&<)X* 0(*
0%-1-'(%C)*
Z02&"1L+3()*%(,"*.+/*(01,B"10"&%6P,3*)-)*+"',&"J,(&$2204,&",&*"M02)R,&*,B"3,11,"',"1L0%*,%("
(,&*,"10*,2*,>"90" -)&)$2"'%" '(0M0*%(4," J,%*"O*(,"'+'%)*," $%"J(,&&,2*),B" ,11," 2L,&*"J0&"
,IJ1)3)*,>"""
"
H/(Y.)*
1#0&-'&R-'&/;*
9," '(0M0*%(4," &L,IJ()M," -)0" 1,&" J,(&$2204,&" '02&" 1," *,I*,"_" 1,&" J,(&$2204,&"
&L,IJ()M,2*"-)0"1,&"03*,%(&"1$(&"',"10"(,J(+&,2*0*)$2>"
"
Z," &$2" 3r*+B" 1," &J,3*0*,%(" 0" %2" 033Q&" )2')(,3*" 0%" *,I*," '(0M0*)=%,B" '+PK" )2*,(J(+*+"
U"J$%("1%)"?",*"J0("1,"M,**,%(",2"&3Q2,",*"J0("1,&"03*,%(&"@3,"=%)"2,"&)42)R),"J0&B"1$)2"&L,2"
R0%*B"=%,"1,"&J,3*0*,%("(,s$)-,"U"J0&&)-,M,2*"?"1,"&J,3*031,"=%)"1%)",&*"$RR,(*H>""
"
M;* ')A')*
&;$/1E.)'*
S>"T6,(&R,1'"=%01)R),"1,"*,I*,"*.+/*(01"',"*,I*,"U"à"trous"?B"30("*$%*"2L,&*"J0&"'$22+"F"
Y" 9," J,(&$2204," 2L,I)&*," =%LK" *(0-,(&" 1,&" ')01$4%,&B" )1" R0)*" (0(,M,2*" 1L$6P,*" 'L%2,"
',&3()J*)$2" J0(" %2" 0%*(," J,(&$2204," =%)" 6($&&,(0)*" %2" J$(*(0)*" &$3)$J&e3.$1$4)=%,"
()3.,M,2*"3)(3$2&*023)+B"3,"=%)",2*(0-,(0)*"1L03*)$2"_""
Y"U"Ce"qui"donne"au"personnage"son"unité,"sa"cohérence,"malgré"l’aspect"fragmenté"des"
discours,"c’est"la"présence"du"spectateur"?"@A%6,(*B"CDDEB"J>"V]H>""
Y"9,"*,I*,"R$%(2)*"0%"(+3,J*,%("1,&"U"J(+&,23,&Y(+J1)=%,&"?"',&"J,(&$2204,&B"M0)&")1"2,"
'$22,B" '02&" 1,&" ')'0&301),&B" =%," ',&" )2')30*)$2&" J0(*),11,&" &%(" 1,&" U"J(+&,23,&Y
&3+2)=%,&"?"F" K" 3.0(4," '%" M,**,%(" ,2" &3Q2," $%" '%" 1,3*,%(" '," 6($',(" 1," 2$2" -,(601"
)2*($'%)&02*B"033$MJ04202*B"J0(03.,-02*B"&%JJ1+02*"$%",2()3.)&&02*"1,"-,(601>"""
""
H)(A* ;&<)-(A*
0"#$%&'(%)***
9,"*,I*,"*.+/*(01"&,"3$MJ$&,"'L%2,"J0(*"',"')01$4%,&"0&&%M+&"J0("1,&"J,(&$2204,&B",*"
'L0%*(," J0(*" '," ')'0&301),&" &$)*" ',&" )2')30*)$2&" J1%&" $%" M$)2&" 06$2'02*,&" ,*" J(+3)&,&"
0JJ$(*+,&"J0("1L0%*,%("3$23,(202*"10"M)&,",2"&3Q2,>""
"
K/;Z.&'* '+#,'%-.* )'*
E%/C%)RR&/;* 0)*
."-$'&/;**
9," 3$2R1)*" *.+/*(01" ,&*" 0%" 3q%(" '," 1L)2*()4%,B" )1" ,2" ,&*" 1L,&&,23," ,*" &*(%3*%(," 1L03*)$2"
'(0M0*)=%,>"t1"J($4(,&&,"4+2+(01,M,2*",2"*($)&"*,MJ&"F""
! 1Lexposition"J,(M,*"',"1,"J(+&,2*,("'Q&"1,"'+6%*"',"10"J)Q3,"0%"(+3,J*,%("_""
! 1,&"péripétiesB"$%"nœud"dramatiqueB")2*($'%)&,2*"',&"3$MJ1)30*)$2&"&%33,&&)-,&"
!"#$%&"'($)*&"(+&,(-+&"""""""""""#.+/*(01)&0*)$2"',"3$2*,&",*"1+4,2',&"'%"5%+6,3"7"89:;<""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""*31=>30"
"
"
""""""""""""""""""""""""""""""""""""""""""""""""""""""""
V"^$)1,0%B"n>"@VXE]HB"l'Art"poétique>"u')*)$2"',"v%e"j),4,(*B"@a0()&F"90($%&&,B"VWECH"3.02*"tttB"-->"]fY]X>"
C"ZL0J(Q&"Z02),1"k0.,(B"T2)-,(&)*+"',"c0140(e"F".**JF;;R)&>%30140(e>30;8j;\\W;*.,0*(,>.*M>""
\"a(+R03,"',"CromwellB"VGCE>""
P%&=%L0%" 31)M0IB" J$)2*" 3%1M)202*" '%" 3$2R1)*" ',-,2%" 01$(&" %2" -+()*061," 2q%'"
4$('),2"_""
! 3,"2q%'"4$('),2",&*"R)201,M,2*"*(023.+"1$(&"'%"dénouementB"1L)&&%,"*($%-+,"0%"
3$2R1)*"022$2s02*"10"R)2"',"10"J)Q3,>""
"
JVC.)R* R/(RP
:-$);')R* 7*
."#$%&'(%)*'+#,'%-.)****
U"Qu'en"un"jour,"qu'en"un"lieu,"un"seul"acte"accompli""
Tienne"jusqu'à"la"fin"le"théâtre"rempli"?"@^$)1,0%HV>""
"
Z02&"1,"*.+/*(,"310&&)=%,B"0%"w[tt,"&)Q31,B"10"(Q41,"',&"*($)&"%2)*+&")MJ1)=%,"%2,"%2)*+"',"
1),%"@1L03*)$2"&,"'+($%1,"'02&"%2"&,%1",2'($)*HB"%2,"%2)*+"',"*,MJ&"@1L03*)$2"&,"'+($%1,"
&%("C]".,%(,&"*$%*"0%"J1%&H",*"%2,"%2)*+"'L03*)$2"@T2,")2*()4%,"J()23)J01,"(+4)*"1,"3$2R1)*"
'(0M0*)=%,H>"x"3,**,"(Q41,"',&"*($)&"%2)*+&"&L0P$%*,2*"3,11,"',"10"-(0)&,M61023,",*"3,11,"
',"10"6),2&+023,C>""
c,&"(Q41,&B"J($61+M0*)=%,&B"J0("*($J"()4)',&",*"3$2*(0)4202*,&B"R%(,2*"3$2*($-,(&+,&",*"
(,P,*+,&B" 2$*0MM,2*" 0-,3" 1L0-Q2,M,2*" '%" *.+/*(," ($M02*)=%,>" a$%(" [)3*$(" A%4$B" 10"
(Q41,"'L%2)*+"'L03*)$2"(,&*,"yy10"&,%1,"-(0),",*"R$2'+,yy\>""
"
5%,11,&" =%," &$),2*" 1,&" %2)*+&" 'L03*)$2B" 'L,&J03," ,*" '," *,MJ&" (,*,2%,&" J0(" 1,"
'(0M0*%(4,B" &$2" +3()*%(," (,&*," &$%M)&," K" 3," =%L)1" 3$2&)'Q(," 3$MM," +*02*" 1,&"
3$2*(0)2*,&"',"10"&3Q2,B"2$*0MM,2*"3,11,&"'%"1),%",*"'%"*,MJ&"',"10"(,J(+&,2*0*)$2>""
"
H&<&R&/;* 0(* ')A')*
);* -$')* )'* );*
R$V;)R**
U"La" division" de" l’action" en" actes" permet" de" représenter" uniquement" les" moments"
marquants"et"d’élider"certains"laps"de"temps"?"@A%6,(*B"CDDEB"J>"CDH>"c,&")2*,(-011,&"',"
*,MJ&" R)3*)$22,1&" &$2*" J0(R$)&" J$23*%+&" '," J0%&,@&H" '02&" 1," &J,3*031,"F" 1L,2*(03*," @1,&"
,2*(03*,&H>"c,(*0)2&"'(0M0*%(4,&"$2*"'L0)11,%(&"*)(+"J0(*)"',"3,**,"M)&,",2"&%&J,2&)$2"'%"
3$2R1)*"J$%("J($J$&,("',&")2*,(MQ',&"3.02*+&",*;$%"'02&+&B"3$MM,"J0(",I,MJ1,"'02&"
10"3$M+'),Y^011,*"Le"Bourgeois"Gentilhomme"',"k$1)Q(,>"""
"
90"')-)&)$2"',&"03*,&",2"&3Q2,&"J,(M,*"4+2+(01,M,2*"'L)2')=%,("1,&",2*(+,&",*"&$(*),&"',"
&3Q2," ',&" J,(&$2204,&>" S)2&)B" J$%(" 3.0=%," &3Q2,B" 10" 1)&*," ',&" 2$M&" ',&" J,(&$2204,&"
)2')=%,"0%"(+3,J*,%("=%)",&*"&%("&3Q2,"$%"=%)"e"R,(0"&$2",2*(+,>""
"
c,&"')-)&)$2&",2"03*,&",*",2"&3Q2,&"=%)"P01$22,2*"1,"*,I*,"'(0M0*)=%,B"=%)"'$22,2*"',&"
(,JQ(,&"0%"M,**,%(",2"&3Q2,B"0%I"03*,%(&B"0%"1,3*,%(B""2,"&$2*"J0&"(Q41,"06&$1%,"F"'02&"
3,(*0)2,&" q%-(,&" '%" *.+/*(," '," 1L06&%(',B" 0)2&)" Jacques" ou" la" soumission"'L:%4Q2,"
t$2,&3$B"1,&"')RR+(,2*&"M$M,2*&"'%"3$2R1)*"2,"&$2*"J0&"R$(M,11,M,2*"&+J0(+&>""
"
K/1E%/1&R* );'%)*
.-;C()* /%-.)* )'*
.-;C()*#$%&')**
U"Selon"les"conventions"de"la"scène"occidentale,"les"acteurs"sont"censés"dialoguer"devant"
nous," comme" si" s’établissait" entre" eux" une" véritable" conversation" improvisée." Le"
monologue,"l’aparté," viennent"toutefois" souligner" l’artifice"de" cette" convention."(…)" Du"
langage" parlé," qui" est" truffé" d’incorrections," de" lourdeurs," d’impuretés," le" langage"
dramatique" revêt" apparemment" la" spontanéité." Du" langage" écrit," il" doit" offrir" la"
perfection"?"@A%6,(*B"CDDEB"J>"C\H>""
!"#$%&"'($)*&"(+&,(-+&"""""""""""#.+/*(01)&0*)$2"',"3$2*,&",*"1+4,2',&"'%"5%+6,3"7"89:;<""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""*31=>30"
"
"
9/(%*);*R-</&%*E.(R*R(%*."#$%&'(%)*0%-1-'&2()*D*
*
#.+/*(," ,2" 03*)$2B" Qu’est<ce$ que$ l’écriture$?B" (,J+(+" K"
.**JF;;ooo>*.,0*(,,203*)$2>3$M;,2-,(&'%',3$(;,3()*%(,>.*M1"
u*%',&" 1)**+(0)(,&B" Le$ spectacle$ théâtral$ entre$ texte$ et$ représentation," (,J+(+" K"
.**JF;;ooo>,*%',&Y1)**,(0)(,&>3$M;&J,3*031,Y*.,0*(01>J.J"
S11r"J($RB"Les$composantes$du$texte$théâtralB"(,J+(+"K".**JF;;6->011$J($R>=3>30;RV]\C>0&JI"
S(*&" -)-02*&B" Métier$ auteur$ dramatiqueB" (,J+(+" K"
.**JF;;ooo>0(*&01)-,>30;R(;,*.;J10eo()4.*;" _" rédaction$ et$ analyse$ d’un$ texte$ dramatiqueB"
(,J+(+"K".**JF;;ooo>0(*&01)-,>30;R(;,*.;03*)-)*),&;&3()J*>.*M1"
T2)-,(&)*+" '," v,2Q-," @CDD\HB"Méthodes$ et$ problèmes.$ Le$ mode$ dramatique,$ J0(" u()3"
:)4,2M022B"(,J+(+"K""
.**JF;;ooo>%2)4,>3.;1,**(,&;R(0M$;,2&,)42,M,2*&;M,*.$',&;M$','(0M0*)=%,;M')2*,4(>
.*M1"
"
"
1 / 5 100%

L`écriture théâtrale ou dramatique Samuel Beckett, lettre à Michel

La catégorie de ce document est-elle correcte?
Merci pour votre participation!

Faire une suggestion

Avez-vous trouvé des erreurs dans linterface ou les textes ? Ou savez-vous comment améliorer linterface utilisateur de StudyLib ? Nhésitez pas à envoyer vos suggestions. Cest très important pour nous !