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1826, plutôt que 1825
(jeudi 5 janvier)
Théâtre Royal MOLSON
(Montréal)
Théâtre Royal, Second night of Mr. Keene’s
engagement, the opera of the Devil’s Bridge,
after which the farce of the Poor Soldier,
[Montréal], s. é., 1825, 28 x 11 cm.
Texte en anglais.
5 types de caractères typographiques.
The Devil’s Bridge [Samuel James
Arnold]
Poor Soldier [John O’Keefe]
The Suspicious Husband (publicité)
Forest of Bondy, or the Dog of Montargis
(publicité)
Musique vocale /
Théâtre
(comédie) /
Théâtre (drame)
PROT9.23
TheRoy1825.01.05 x
– 2742041
1826 (mercredi 11
janvier)
Théâtre Royal MOLSON
(Montréal)
Théâtre Royal, Mrs. Barnes’ second night, the
tragedy of Isabella or the Fatal Marriage,
after which (for the second time,) the
popular drama of Three & the Deuce, or
Which is He?, [Montréal], s. é., 1826,
28 x 11 cm.
Texte en anglais.
7 types de caractères typographiques.
Isabella, or the Fatal Marriage [David
Garrick, d’après Southerne]
Three & the Deuce, or Which is He?
Guy Mannering (publicité)
Venice Preserved (publicité)
Much Ado About Nothing (Shakespeare –
publicité)
Macbeth, King of Scotland (publicité)
Bertram, or the Castle of St. Aldobrand
(publicité)
Théâtre (tragédie)
/ Théâtre (drame)
PROT9.23
TheRoy1826.01.11 x
– 2742035
Théâtre Royal MOLSON
(Montréal)
Théâtre Royal, Last night of Mr. Keene’s
engagement, the opera of Guy Mannering,
or the Gipsey’s Prophecy, to conclude with
the melo drama of Rugantino, the Bravo of
Venice, [Montréal], s. é., 1826, 32 x 14 cm.
Texte en anglais.
8 types de caractères typographiques.
Guy Mannering, or the Gipsey's
Prophecy [Daniel Terry]
Rugantino, the Bravo of Venice [Matthew
Gregory Lewis]
Venice Preserved (publicité)
Rival Soldiers (publicité)
Macbeth (publicité)
Love in a Village (publicité)
Brother and Sister (publicité)
Bertram, or the Castle of St. Aldobrand
(publicité)
Musique vocale /
Théâtre (drame)
PROT9.23
TheRoy1826.01.12 x
– 2742034