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Des$sons$qui$torturent…$aux$sons$qui$font$du$bien$
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Dans!une!société!où!le!son!est!omniprésent,!saturant!l’espace!public,!entrant!à!notre!insu!à!
l’intérieur!de!notre!espace!privé,!nous!
conditionnant!à!repousser!les!limites!de!notre!tolérance!aux!bruits!et!aux!intensités!
sonores,!nous!soumettant!à!un!niveau!de!stress!toujours!plus!élevé,…!il#est#urgent#de#
parler#des#sons#qui#font#du#bien…#Ces!sons!qui!nous!apaisent,!reconstituent!notre!capital!
d’énergie,!nous!relient!à!nous>mêmes!et!nous!permettent!de!nous!ouvrir!aux!autres."
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62"B5P256/"6/"BL1+/5BB/"5-$/+-/"3123"*1+:/"6/"+/:123"^".1::/"35"-1$+/"1+/5BB/"-123"
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la$sensibilité$de$la$peau$aux$graves$&"BL1+/5BB/"5-$/+-/"%+1>5/-$".#/_"BL/:O+]1-"6L2-"
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"!Ne!nous!étonnons!plus!de!la!capacité!des!graves!à!nous!faire!vibrer!en!profondeur,!comme!
si!tout!notre!corps!devenait!une!seule!et!même!oreille…e"
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Quelle$utilisation$peut6on$faire$des$sons$?$
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%#]351B145P2/3"12"-/+>/27"6/"B,"%/+31--/)"K/"%+5-.5%/"/-"/3$"35:%B/"&"BL1-6/"31-1+/"
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"
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k2+"2-"%B,-"$#F+,%/2$5P2/D"1-"%/2$",5-35"2$5B53/+"B,":235P2/"%12+",%,53/+"6/3"$/-351-3D"
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+/>5$,B53/+"gD"61-."F4,B/:/-$"2-/"*,U1-"6L/-$+/+"/-"+F31-,-./",>/."3/3"émotions)"
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.+F,$+5./"6/"3/-3)"
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E,$#/+5-/"m2_/$$,"65$"P2L/BB/"%/+:/$"6/"+F,B54-/+"%,+"31-"B,-4,4/">5O+,$15+/D"B,"$+5B145/"f"
.1+%3D"s:/D"/3%+5$"g"32+"3,"*+FP2/-./"*1-6,:/-$,B/D"P2L5B"3L,4533/"6/"restaurer"B,"
*1-.$51-"+F42B,$+5./"6L2-".1+%3"f"6F3,..1+6F"g"12"6/"maintenir"/$"3$5:2B/+"B,"*1-.$51-"
+F42B,$+5./"6L2-".1+%3"f",..1+6F"g)"
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gYv["
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BLF4,+6"6/3"31-3"/7$F+5/2+3)"
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F:1$51-3)"K,"3]-.#+1-53,$51-"%/2$"6/"-12>/,2"1%F+/+"/$",2$1+53/+"B,"%/+31--/"Q"/-$+/+"
/-"/:%,$#5/"/$"/-",..1+6,-./",>/."31-"/->5+1--/:/-$)""
Conclusion$$
K/"%12>15+"$#F+,%/2$5P2/"6/"B,":235P2/"-L/3$"61-."%,3"3/2B/:/-$"6,-3"B,".,%,.5$F"62"
31-"Q"f"*,5+/"62"O5/-"g)"nB"%/2$"F4,B/:/-$"h$+/"BL12$5B"6L2-/"+F,%%+1%+5,$51-"6/"31-"%+1%+/"
3]3$M:/"6/"%/+./%$51-D"/$"%,+"BQ":h:/"+/3$,2+/+"2-"B5/-",>/."3150:h:/"/$",>/."B/3"
,2$+/3"P25"+F/-.B/-.#/"B/":12>/:/-$"6/"B,">5/)"u$5B53/+"B/"31-"%12+"$+,-3*1+:/+"31-"
5-$1BF+,-./",2"31-"/-",%%F$5$"6/"31-)"S$"%,+"BQ":h:/D"$+,-3*1+:/+"3,"*,$54,O5B5$F"/-"
/-62+,-./D"31-"5++5$,O5B5$F"/-",..2/5BD"3,"653%/+351-"/-".#157)"
"
Une$voie$vers$la$liberté.$
(1)!Alfred!Tomatis,!L’Oreille!et!la!voix,!p.!129!
(2)!Claude>Henri!Chouard,!L’Oreille!musicienne,!p.!90!
(3)!Alfred!Tomatis,!L’Oreille!et!la!voix,!p.!171!
(4)!Dr!Mitchell!L.!Gaynor,!M.!D.,!Sons!de!guérison,!pp.!67>68!
(5)!cité!par!Dr!Mitchell!L.!Gaynor,!M.!D.,!Sons!de!guérison,!p.!107!
(6)!distinction!entre!sons!périodiques!et!apériodiques,!Claude>Henri!
Chouard,!L’Oreille!musicienne,!p.!87!!
!!
Sources!Bibliographiques:>!Marie>Louise!Aucher,!L’Homme!sonore,!Epi,!1977!(rééd.!1984).!
>!Claude>Henri!Chouard,!L’Oreille!musicienne,!Les!chemins!de!la!
musique!de!l’oreille!au!cerveau,!Gallimard,!2001.!
>!Dominique!Hoppenot,!Le!Violon!intérieur,!Ed.!Van!de!Velde,!1981.!
>!Dr!Mitchell!L.Gaynor,!M.!D.,!Sons!de!guérison,!Un!médecin!révèle!le!
pouvoir!thérapeutique!du!son,!de!la!voix!et!de!la!musique,!Editions!
de!l’Aigle,!2007.!
>!Alfred!Tomatis,!L’Oreille!et!la!Voix,!On!chante!avec!son!oreille,!
Robert!Laffont,!collection!«!Réponses!»,!1987.!!
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